David Foster Wallace and Clichés
Martin Amis has claimed that ‘all writing is a campaign against cliché. Not just clichés of the pen, but clichés of the heart. When [he] dispraise[s], [he is] usually ...
For young people, written by young people
Martin Amis has claimed that ‘all writing is a campaign against cliché. Not just clichés of the pen, but clichés of the heart. When [he] dispraise[s], [he is] usually ...
This new interiority revolves around Woolf’s style of narrative in the novel. Chambers describes it as a ‘fluidity of atmosphere’: her narrative is one of a floating focaliser,...
By marrying Richard, Clarissa has maintained ‘the privacy of the soul,’ she has ‘escaped’ the destructive intimacy of Peter Walsh, but Septimus’ only ‘escape&...
Both equipped with their sexually charged weapons – Peter with his ‘large pocket-knife’ and Clarissa with her ‘scissors’ – the proceeding trivial dialogue is ...